Western Living Magazine
East Van Escape
Kitchen Infinity Atelier
Design Crush: A Sustainable, Stylish New HQ for Pyrrha in Vancouver
Recipe: The Perfect Blueberry Scones for Springtime
The Only Irish Coffee Recipe You’ll Ever Need
Protected: Recipe: The Ultimate Salted Chocolate Chip Cookies
I Had the Best Nap of My Life in an Anti-Gravity Pod
Editors’ Picks: The Best Trips We Took in 2022
Victoria Might Just Be the Perfect Pre-New Year’s Getaway
Trending Now: The Best New Furniture and Homewares for Spring
Sleep Tight, Whatever Your Size: This Mattress Company Embraces All Body Types
The Future of Beauty: How One Medical Aesthetics Clinic is Changing the Game
Designers of the Year 2023: Meet the Architecture Judges
What It’s Like to Win a Designers of the Year Award
Submissions Now Open! Enter Western Living’s 2023 Designers of the Year Awards
Industrial designer Thom Fougere knows theres plenty of inspiration to be found in the past.
For Winnipeg-born Thom Fougere, there’s only one thing missing from his hometown: a wealth of ikebana classes. The designer first became interested in the ancient Japanese art of flower arranging back in 2014, when he began conceptualizing his Tyndall Vessel collection, but the lack of local classes didn’t hold him back. “A lot of ikebana is going with your gut,” says Fougere, who incorporated the philosophy—that there’s no one right way to design—into the vessels. Made from Manitoba-quarried Tyndall stone, the multi-level containers can be staged in endless configurations and hold anything the “user” imagines, from flowers or candles to nothing at all. “I’m designing something purposeful,” Fougere says, “but I’m not trying to dictate what the exact functionality of the object is.”
That’s true when it comes to much of Fougere’s work. His popular Bench Rack, for example, can be used for display, seating and storage. A sculpted metal tube showcases a standout wardrobe, while the solid wood base doubles as extra storage or a seat for sliding on a pair of shoes. “There’s poetry in these projects,” says judge Paolo Cravedi of Alessi—and it’s a poetry that can change as the piece ages: Fougere often leaves his work unfinished, choosing natural materials that grow more beautiful with age. Case in point: the Tyndall stone itself, a material that wears to reveal hidden fossil fragments and develops a natural patina over time.
In effect, there’s a nostalgia that informs many of Fougere’s designs, a balance between his understated, modern approach and a genuine appreciation for the past and the stories it contains. This fall, for example, he’ll release a storage centre inspired by his grandmother’s old rolltop desk. But even with one eye trained on the past, Fougere is moving full steam ahead: he’s a few weeks away from opening his studio in Winnipeg, where he’ll pursue his passion for beautiful, functional design full-time.
Are you over 18 years of age?