Western Living Magazine
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Home Tour: Inside a Scandi-Modern, Festive Vancouver Heritage Home
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Chocolate Crackle Cookies Recipe
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Chewy Chocolate Chunk Cookie Recipe
Discover the Perfect Winter Getaway in Penticton
The Ultimate Winter Staycation Guide 2023: 6 Great Places to Explore in B.C.
B.C. Winter Staycation Guide 2023: 48 Hours in Tofino
ARK Interiors Renews its Turri Exhibition in the Vancouver Showroom
A Gift Guide for the Yellowstone Fan in Your Family
Western Living’s 2022 Holiday Gift Guide
Introducing Western Living’s 2022 Designers of the Year Award Winners
WL Architects of the Year 2022: Measured Architecture
WL Robert Ledingham Memorial Award for an Emerging Interior Designer 2022: Studio Roslyn
The fuss over Oca Pastificio comes from the lack of fuss.
Ask any artist (okay, at least any modern artist) what the most difficult task is and they will tell you it is drawing that perfect circle—anyone looking at it will know exactly where the mistakes are, because there’s no hiding space for error like you’ll find in shading or colouring. Which sort of makes Greg Dilabio the Titian of fresh pasta, Antoine Dumont the Bernini of the front of house, and their modestly sized Oca Pastificio the Uffizi of Commercial Drive—except that it’s easier to get into the Uffizi in July than it is to get into Oca, with its firm no-reservations policy and eight zillion people out there hankering for its wares.
The fuss over the spot comes from the lack of fuss—the pastas are made literally right in front of you by Dilabio, cooked just feet behind him, and then delivered to your table by Dumont and his small team in a relaxed choreography that’s a necessity in such a small room. The whole dance is accomplished with an air of the everyday, but one bite of Dilabio’s squash tortelli (one of the few staples on the ever-changing menu) and you’ll realize you’re in transformative territory here.
The melon baller.
Ratio by Michael Ruhlman.
Ferrari Trento for the bubbles.
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