Western Living Magazine
Small Wonders: 3 Playful Kids’ Rooms Built for Big Imaginations
7 Reading Nooks Where We’d Love to Get Lost in a Good Book
Inside a Gravity-Defying West Vancouver Home
Recipe: St. Lawrence’s Chez Solange Brown Butter Mocktail
8 Surprise Dinners For One Serious Cause. Here’s What’s Going Down at Vancouver Entertains
Recipe: Chicken and Parsnip Stew with Leeks and Potatoes
Where to Eat in Victoria, B.C.: A Food Lover’s Guide
What It’s Like to Forage with a Two-Michelin Star Chef
5 Things to Do on Salt Spring Island: Where to Eat, Shop and Sip
In Living Colour: 7 Silver Chrome Home Finds That Shine
10 New Furniture, Lighting and Decor Finds for 2026
In Living Colour: 8 Striped Home Finds for Summer
PHOTOS: Party Pics from our 2026 Designers of the Year Awards Party at Inform
Introducing the 2026 WL Designers of the Year
Robert Ledingham Memorial Award 2026: Schédio Spaces
Soft art made bold.
Tafui McLean can point to the exact moment that art changed her life. It was decades ago, in Jamaica. Then-five-year-old McLean couldn’t stop crying on her first day of school—that is, until her teacher gave her a sketchbook and some paint. “It was meant to pacify me, and for me, it was like breathing,” says the artist. She held tight to that soothing feeling, and later fell in love with textile design in high school art class.
After studying studio art at Dawson College and design at Concordia University, McLean made her home in Vancouver, and now much of her work is inspired by the Canadian landscape. She also draws inspiration from West African textiles—her studies in pre-colonial Indigenous art led to an interest in the storytelling power of repeat patterns. “I noticed that there was a common thread in textiles from different Indigenous groups across Africa, and even in Asia,” she says. “And that was really fascinating to me as an artist, especially as someone who was born in Jamaica.” The motto of Jamaica is “Out of Many, One People,” and that message of unity rings very true for McLean.
That same draw to unity also makes sustainability fundamental to McLean as she creates her own art prints and pillows (which she calls “soft art”). “I believe in respecting the land,” she says. “We are not separate from it, and we are not separate from each other.”
McLean chose organic Belgian linen for her pillows because it requires less water for manufacturing than other materials, and she makes small zippered pouches with the offcuts. Coming next for the Tafui line is a wallpaper, and soon she will have fabric by the yard available for fans of her signature bold, abstract patterns.
Alyssa Hirose is a Vancouver-based writer, editor, illustrator and comic artist. Her work has been featured in Vancouver magazine, Western Living, BCBusiness, Avenue, Serviette, Geist, BCLiving, Nuvo, Montecristo, The Georgia Straight and more. Her beats are food, travel, arts and culture, style, interior design and anything dog-related. She publishes a daily autobiographical comic on Instagram at @hialyssacomics.
Are you over 18 years of age?
Get the latest headlines delivered to your inbox 3 times a week.