Western Living Magazine
7 Homes with Outdoor Fireplaces and Firepits
Pamela Anderson’s Ladysmith Home Is a Whimsical, ‘Funky Grandma’ Dream Come True
Before and After: Stunning Photos from a Vancouver Beach House Renovation
9 Ways to Make the Most of Your Summer Fruits
6 Recipes for Your End-of-Summer BBQ
5 Perfect Recipes for Your Next Summer Garden Party
Survey: What Are You Looking for in a Vacation Rental?
Wildfire Resource Guide: Essential Links for Live Updates, Personal Preparedness and More
Local B.C. Getaway Guide: Hidden Gems on Vancouver Island’s East Coast
Fired Up: 5 Barbecues Perfect for End of Summer Grilling
Rebellious, Daring and Dramatic: The New Lotus Eletre
Trendspotting: Highlights from Milan’s Salone del Mobile 2024
It’s Back! Entries Are Now Open for Our WL Design 25 Awards
Announcing the 2024 Western Living Design Icons
You’re Invited: Grab Your Tickets to the 2024 WL Designers of the Year Awards Party
Subplot Design Inc.s Vancouver office mixes neutrals and naturals with a whole lotta pink.
Photos by Rick Etkin Productions.
After 15 years of leasing an office on the edge of Vancouver's Gastown, Matthew Clark, Roy White and the rest of the folks at Subplot Design Inc. decided to make the move to a brand-new 2,198 square-foot space in the Grandview-Woodland neighbourhood. The firm works primarily in packaged goods design, and they had a pretty good idea of what they wanted to wrap their new office inthe most magnificent magenta you ever did see.
Our corporate colour has always been hot pink, says Clark, Subplot's co-founder and creative director. It was selected to be the opposite of the boring neutrals classic in large agencies. The unique colour also worked as an unapologetic sort of client barometer. If it was too much for a prospective client, they werent the ones to work with, laughs Clark.
But the sassy hue did require some careful placementeven the most colour-happy designers knew that. It's a very fine line, says Clark. In addition to not overwhelming the eyes, there was also computer monitors and work stations to think about. We do a lot of colour critical work, so we kept all of the pink away from the work station area intentionally to not pollute the colour.
MORE DESIGN CRUSH: An Arch-Happy, Elegant Dry Bar
So they stuck with pink in the main lounge and entryway, cloaking the board room in a dark grey and keeping work stations simple with white lacquer and wood. Even the natural elements have a fun twist (like the plywood-backed basketball hoop). Closed storage was a mustwe're not nearly as tidy as we think we are, says Clarkso wall-to-wall closed cabinetry hides plenty of space for filing and product samples.
Eclectic seating has always been a Subplot staple, and this new office was no different. Int he board room, none of the chairs matchthere'soffice chairs, dining chairs, folding chairs, you name it. Simple LED lighting bolsters the natural light that streams in from both north and south-facing windows, and a 3D-printed wire frame shade from Tangible gives the lounge some extra attitude. We may have actually crossed over into circus slightly, says Clark. No matterIt's a show we're here for.
MORE DESIGN CRUSH: This ’70s-Inspired Victoria Restaurant Is Vacation Vibes Only
This story was originally published on October 20, 2020.
Are you over 18 years of age?